The article explores how Shakespeare's 'Julius Caesar' creatively transforms historical sources, particularly Plutarch's 'Parallel Lives,' to present a double tragedy focusing on both Caesar and Brutus. It examines Shakespeare's structural and thematic deviations from historical accounts, emphasizing the interplay of historical fidelity and creative liberty. The analysis highlights Shakespeare's use of temporal structure, prophetic visions, and character speech to enhance the dramatic effect and underscore the parallel lives of Caesar and Brutus. The article concludes that Shakespeare's adherence to and transformation of historical fetters result in a unique artistic and aesthetic liberation.

A comprehensive collection of the works of William Dunbar, edited by John Conlee, published by Medieval Institute Publications in Kalamazoo, Michigan in 2004. The text focuses on medieval literature and studies, particularly highlighting the contributions of Scottish poet William Dunbar.

Karlo Kacharava, a pivotal figure in Georgian avant-garde art, is gaining international recognition 30 years after his death. Known for his unique storytelling style and intellectual depth, Kacharava's work reflects the tumultuous era of late Soviet and early post-Soviet Georgia. His art, influenced by German Expressionism and contemporary global currents, is celebrated for its autobiographical elements and cultural references. Despite his initial obscurity in the West, exhibitions in New York and Ghent have highlighted his significance, urging Western museums to reevaluate Eastern European art. Kacharava's legacy continues to shape Georgia's cultural landscape.

Shelby Judge provides a critical response to Lena Linne's article on twenty-first-century myth writing, focusing on feminist adaptations of Greek myth. Judge highlights the literary trend of women writers adapting Greek myths with feminist aims, referencing works by authors such as Margaret Atwood, Ursula K. Le Guin, Madeline Miller, Pat Barker, and Daniel Mendelsohn. The response delves into the metageneric qualities of these texts and their commentary on Homeric epics, with a particular focus on the portrayal of Helen in Natalie Haynes's 'A Thousand Ships'. Judge also discusses the broader implications of this literary phenomenon and its significance in contemporary novelistic adaptations of Greek myth, inviting further academic research in this area.

Following the devastating 1966 earthquake in Tashkent, Uzbekistan, the city was rebuilt with a unique blend of socialist modernity and Uzbek heritage, known as 'Tashkent modernism'. Today, Uzbekistan is leveraging its cultural assets to position itself as a major global cultural player. The government-backed Art and Culture Development Foundation (ACDF) is spearheading efforts to preserve modernist architecture, aiming for UNESCO World Heritage Site status, and promoting Uzbek culture internationally. President Shavkat Mirziyoyev, who succeeded the oppressive Islam Karimov, has introduced reforms to open the country to foreign investment and tourism, and foster a more liberal domestic environment. Despite criticisms of cultural initiatives benefiting the authorities rather than the people, the ACDF's projects, including international exhibitions and a new Centre for Contemporary Art, signal Uzbekistan's commitment to cultural development.

The article explores the concept of vendor lock-in in cloud computing, where organizations become dependent on a single cloud provider's tools and services, making it difficult to switch providers. It contrasts vendor-locked solutions with cloud-agnostic designs, highlighting the advantages and disadvantages of each. Vendor lock-in allows for highly integrated solutions and specialized talent but can limit flexibility and increase transition costs. Cloud-agnostic designs offer cost control and disaster recovery benefits but require more expertise and can face limitations in strategic IT goals. The article advises stakeholders to carefully consider their cloud strategy to align with organizational goals and avoid potential setbacks.

The State Silk Museum in Tbilisi, housed in a historic 1891 building, showcases the world's largest collection of silkworm cocoons and other sericulture artifacts. Established by the tsarist authorities and designed by architect Alexander Szymkiewicz, the museum has preserved its 19th-century charm while evolving into a contemporary art space. Key figures like Nikolai Shavrov and Irina Chotorlishvili played crucial roles in its history. Despite the collapse of Georgia's silk industry, the museum remains a vital cultural institution, now under the protection of the Ministry of Culture.

The article explores the complex genre classification of John Webster's play 'The Duchess of Malfi,' examining its elements of tragedy and Trauerspiel. It discusses the historical and critical reception of the play, highlighting the protagonist's death, lack of anagnorisis, and the chaotic fifth act. The analysis draws on Walter Benjamin's concept of Trauerspiel to offer new insights into the play's structure and themes, suggesting that Webster's work is a generic transaction between classical tragedy and baroque Trauerspiel. The article also considers the play's historical context, including the decline of the aristocracy and the evolving role of women in Jacobean society.

Lewis Carroll, also known as Charles Lutwidge Dodgson, passed away on January 14, 1898, after a brief illness. His death was marked by international mourning and a memorial service at Christ Church Cathedral. Carroll's works, particularly the Alice-books, continue to be celebrated for their humor and imaginative storytelling. The article reflects on Carroll's life, his final days, and the enduring legacy of his literary contributions.

James Birch's memoir recounts his efforts to stage an exhibition of Francis Bacon's work in the Soviet Union during the 1980s, highlighting the challenges of navigating both Soviet and Western bureaucracies. The exhibition, held in Moscow in 1988, was a significant cultural event during perestroika, attracting 400,000 visitors. The book provides insights into the art world of the time, featuring notable figures like Grayson Perry and Paul Raymond, and reflects on the broader political and cultural shifts, including the eventual collapse of the USSR and the current state of Russian-Western relations.