The article reviews several films, highlighting 'Mond' directed by Kurdwin Ayub, which explores cultural clashes and features Florentina Holzinger in a praised performance. 'Alter weißer Mann' is a comedy by Simon Verhoeven, starring Jan Josef Liefers, that humorously critiques modern societal issues. 'Terrifier 3' continues the horror saga with Art the clown, maintaining its retro charm. 'Die Bedürfnisse einer Reisenden' by Hong Sangsoo features Isabelle Huppert in a contemplative role, showcasing the director's skill in subtle storytelling.

Sean Baker's film 'Anora' is a tragic comedy that explores the life of Ani, a stripper in Manhattan, who becomes involved with Vanya, the son of Russian oligarchs. The film delves into themes of social realism, highlighting the challenges faced by marginalized groups. As Ani navigates a week-long relationship with Vanya, the narrative shifts from a wild party atmosphere to a more serious exploration of social issues, culminating in a poignant ending that underscores the insurmountable barriers of wealth and social class.

Juri Rechinsky's documentary 'Dear Beautiful Beloved' delves into the immense challenge of keeping track of displaced citizens and fallen soldiers in Ukraine amidst the ongoing war. The film gradually reveals the scale of this task, offering insights into the human impact of the conflict.

Rebecca Hirneise's film 'God Between Us' explores the socio-cultural dynamics of religious beliefs within her family, set in the village of Mühlacker near Stuttgart. The film, which premiered at IFFR's Harbour and screened at the 62nd Viennale, delves into the conflicts and divisions among her relatives due to their Methodist upbringing. Through group discussions and personal narratives, Hirneise highlights the varying interpretations of faith and the resulting familial tensions. The film transitions from philosophical debates to a more intimate portrayal of daily life, particularly focusing on Hartmut's healing practices and Evmarie's cancer journey. Despite its narrative vagueness, the film captures the isolation and internal conflicts faced by its characters.

The NEXUS Foro Pitch at the Intersección - A Coruña International Film Festival introduced five feature film projects seeking international co-producers. The projects, originating from Spain and Colombia, cover diverse themes such as isolation, gender equality, indigenous rituals, and historical memory. Each project is at different stages of development, with some already securing partial funding and others seeking international partnerships. The festival serves as a platform for these projects to find co-production opportunities and further their development.

In Gregor Andolšek's feature debut, 'This Is a Robbery!', a dark comedy unfolds as Rajko Novak, a magician, faces bureaucratic chaos while seeking insurance compensation. The film humorously critiques modern society's bureaucratic inefficiencies and capitalist structures, as Rajko, aided by Marcel and Lutalica, navigates absurd challenges. Despite some overreaching plot elements, the film resonates with anyone familiar with bureaucratic hurdles, offering a tragicomic reflection on societal norms.

The 7th edition of the Intersección Film Festival in Galicia concluded with an awards ceremony at Teatro Colón, celebrating experimental and avant-garde cinema. The festival featured over 70 titles, including competitive and non-competitive sections, and introduced new industry programs like INTERSECTION NEXUS. Key awards included Best Film in the International Section for 'Histoires sans lion' by Vital Z'brun, Best Spanish Short Film for 'I Will Scream on Your Grave' by María Cañas, and Best Film in the Galicia Section for 'Lavadoiro' by Ana Amado and Lois Patiño. The festival saw record attendance, expanding its venues to accommodate more attendees.

The film 'Riders' by Martín Rejtman, showcased at the Intersección - International Film Festival A Coruña, explores the lives of Venezuelan food delivery riders in Buenos Aires during the COVID-19 pandemic. The narrative shifts between Buenos Aires and Caracas, highlighting the struggles of the Venezuelan diaspora and those who remained in Venezuela. While the film captures the mechanization of food delivery and the socio-economic challenges faced by the riders, it leaves some cultural nuances unexplored for non-Hispanic audiences. The critique notes the film's observational style but points out its disjointed narrative and lack of character depth.

The article reviews several films, highlighting the documentary on Italian musician Zucchero, which delves into his childhood, struggles with depression, and collaborations with famous artists like Sting and Eric Clapton. The documentary is praised for its intimate portrayal of Zucchero's life and career. Other films reviewed include a love story about NS-resistance fighters, an Austrian sci-fi project, a young-adult adaptation, a satire on lottery winners, a Marvel spin-off, and a horror film with a unique perspective. Each film is critiqued for its storytelling, thematic elements, and cinematic execution.

Three films are reviewed: 'Wicked Little Letters' directed by Thea Sharrock, a comedic drama set in early 20th-century England focusing on obscene letters and societal norms; 'One Life' starring Anthony Hopkins, a biopic about Nicholas Winton who saved children from the Nazis; and 'Stop Making Sense,' a concert film featuring the Talking Heads, directed by Jonathan Demme, celebrated for its innovative approach and restored for its anniversary.