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Check FAQAbout Marco
Marco De Vidi is an Italian journalist and fixer based in Venice, Italy. Specialized in culture and music, with a passionate focus on the underground scenes. Interested in environmental themes, landscape, urbanism. Concerned with social matters and activism. He knows deeply Venice and its surrounding area. He keeps on studying the history of this city and of the post-industrial territory of Veneto region. Always looking for involving and meaningful stories. His works have been published by Vice, Rolling Stone, Il Manifesto (and many others). He worked as a fixer for the Daily Mail, second best-selling newspaper in UK. Fluent in English, French, Portoguese.
Portfolio
In Mestre, there are those who fight to change the city after the death of an activist
Following the death of activist Giacomo Gobbato, the city of Mestre has seen a surge in community activism aimed at reclaiming and revitalizing neglected urban spaces. Thousands gathered in a peaceful march, highlighting the city's growing concerns over safety and social cohesion. The article critiques the local government's focus on repression and highlights grassroots efforts to foster a multicultural and inclusive society. Organizations like Rivolta play a key role in these initiatives, advocating for a new urban welfare system and resisting narratives of fear and division.
The relationship between trap and patriarchy: 'But it's not the only sexist genre'
The article explores the persistent issue of sexist language in the trap and rap music genres, highlighting the broader cultural context of patriarchy. It discusses the criticism these genres face for perpetuating violent and sexist stereotypes, while also acknowledging artists like Chadia Rodriguez and Wissal Houbabi who challenge these norms. The piece argues that the music industry's market dynamics play a significant role in sustaining these stereotypes, as record labels prioritize content that aligns with mainstream demand.
The struggle of those who climb trees to save the Lanerossi forest
In Vicenza, activists have occupied the Lanerossi forest to protest against the construction of a high-speed rail line that threatens local green spaces. The project, supported by Confindustria and funded by European Pnrr funds, involves significant environmental and social impacts, including the demolition of buildings and increased pollution. The Assemblea del bosco, comprising various local organizations, has mobilized to protect the forest, organizing events and legal actions. Concerns include air pollution, water contamination, and the destruction of biodiversity. The community's resistance highlights broader issues of urban development and environmental preservation.
The Desire for a 'Merda' Shirt. After All, It's the Anagram of Dream
The article explores the unique and provocative fashion brand 'Merda', created by an anonymous designer who combines graphic design with a punk aesthetic. Originating from a personal expression of frustration, the brand has grown through word-of-mouth and social media, gaining popularity among musicians and fans. Despite its success, the creator remains focused on passion over profit, maintaining a limited production approach. The brand's evolution includes a premium line, 'Merda Couture', and continues to resonate with a niche audience, though sales have declined due to generational shifts and market saturation.
That Mystery Called Richard Benson, Investigation into the Fragility of an Artist
Richard Benson, a British-born musician adopted by Rome, is the subject of a documentary exploring his complex life and career. Known for his eccentric performances and as a television personality, Benson's concerts often attracted both adoration and ridicule. The documentary, directed by Maurizio Scarcella, delves into Benson's personal struggles and his impact on the underground music scene in Rome. Despite facing health and financial challenges, Benson remained a beloved figure, supported by fans and fellow musicians. His legacy continues through the documentary and posthumous releases, cementing his status as a cultural icon.
Misunderstood, hated, feared. But trap is where life happens
The unexpected wave of Italian trap music has disrupted the mainstream, captivating young listeners and breaking streaming records. Artists like Ghali, Sfera Ebbasta, Madame, and Baby Gang have achieved commercial success and social media followings, challenging traditional music categories. The book 'Trap! Suoni, segni e soggettività nella scena italiana' by Sebastiano Benasso and Luca Benvenga explores this phenomenon, highlighting its representation of immigrant second generations and its divergence from punk's political dimension. Despite its subversive energy, trap does not seek revolution but rather expresses a nihilistic tumult. The genre's commercial success is underscored by its frequent references to luxury brands. The tragic story of a trap collective in Valerio Millefoglie's 'Tutti vivi' further illustrates the genre's impact on young lives and its role as a means of aspiration and connection.
Dolomiti Contemporanee: beyond skiing, the rediscovery of abandoned places in the name of cultural mountaineering
Dolomiti Contemporanee is revitalizing abandoned sites in the Dolomites, transforming them into cultural hubs. The initiative, led by Gianluca D’Incà Levis, has repurposed the medieval Andraz Castle and the disused Eni Village, among others, into spaces for artistic and scientific collaboration. The project aims to challenge stereotypes and breathe new life into forgotten places, involving over 2000 artists and numerous private and institutional partners since 2011. The effort is described as 'cultural mountaineering,' emphasizing the transformative power of art in complex environments.
God is a DJ: the Jesuit priest who runs avant garde electronica nights
Father Antonio Pileggi, a Jesuit priest, organizes avant-garde electronic music nights at the San Fedele Cultural Centre in Milan, blending spirituality with experimental sounds. The events attract a diverse audience, including university students and music enthusiasts. Pileggi, a former composer, found his faith in Paris and joined the Jesuits in 1998. He emphasizes the importance of listening in both music and spirituality, creating the Inner Spaces festival to explore ethereal and spiritual expressions of electronic music. Despite some opposition from far-right Catholic groups, Pileggi's initiative fosters a unique intersection of faith and avant-garde culture.
God is a DJ: the Jesuit priest who runs avant garde electronica nights
Father Antonio Pileggi, a Jesuit priest in Milan, merges spirituality with avant-garde electronic music at the San Fedele Cultural Centre. Hosting events like the Inner Spaces festival, he attracts a diverse audience interested in the spiritual dimensions of music. Despite some opposition from conservative groups, Pileggi's initiative fosters a unique cultural and spiritual dialogue, drawing on his background as a composer and his personal journey of faith. The events emphasize listening and interiority, engaging both believers and non-believers in a shared musical experience.
The Father Murphy have found a portal to the world of the dead
Father Murphy, an influential Italian noise rock band known for their devotion to the occult, have found a symbolic portal to the afterlife in Casa Mollino, a mysterious house in Turin designed by architect Carlo Mollino. The band, which officially disbanded, created a short film titled '171219 May Them White Rise with You' as a final tribute, presented at the Torino Film Festival. The film, co-directed by Micol Roubini and Davide Maldi, explores themes of ritual and the supernatural, using the enigmatic spaces of Casa Mollino. The project involved various collaborators and reflects the band's unique artistic journey and their connection to the esoteric.
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