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Check FAQAbout Hai
Hai Di Nguyen is a Vietnamese multimedia journalist based in London. She grew up in Vietnam, moved to Norway at the age of fifteen with her mother as a political refugee, and later moved to the United Kingdom. She has written for several years for Vietnamese-language Tre Magazine (based in Dallas) and worked for BBC News Vietnamese. Hai Di is currently working as media coordinator for a Vietnamese American NGO, writing articles and making videos about Vietnamese refugees and asylum seekers, victims of religious persecution, and victims of human trafficking, and occasionally writes for other places. In her spare time, she blogs in English about Shakespeare and classic literature.
Journalism
Portfolio
Pericles, Prince of Tyre and the themes recycled in The Winter’s Tale
Pericles, Prince of Tyre, a late romance in the Shakespeare canon, is a collaborative work possibly involving George Wilkins. The play, which was not included in the First Folio, features themes and elements that Shakespeare later recycled and improved upon in The Winter’s Tale. The narrative includes two husband contests, two shipwrecks, and various other dramatic elements. The text highlights the differences in language quality and thematic execution between Pericles and Shakespeare's other works, noting that while Pericles is enjoyable, it lacks the depth and coherence found in The Winter’s Tale.
On feeling close to Chekhov; 30 favourite stories
The author reflects on a deep personal connection to Chekhov's works, particularly in light of recent life experiences. They contrast Chekhov's themes of love, disappointment, and the futility of life with those of Jane Austen and Tolstoy. The author lists their 30 favorite Chekhov stories, highlighting the emotional and thematic resonance of his writing.
G. Wilson Knight on The Tempest
G. Wilson Knight's essay in 'The Crown of Life' explores the character of Prospero in Shakespeare's 'The Tempest,' drawing parallels with other Shakespearean characters and themes of ingratitude, betrayal, and political failure. Knight suggests that Prospero epitomizes many of Shakespeare's tragic figures and experiences, and even represents Shakespeare himself. The essay also delves into the roles of Ariel and Caliban, interpreting Ariel as a personification of poetry and Caliban as a symbol of the animalistic aspects of humanity. Knight's analysis offers a rich, multifaceted understanding of 'The Tempest,' highlighting its complexity and the various interpretations it invites.
Cleopatra and Shakespeare’s characters’ ability to surprise
The article explores the surprising depth and transformation of Shakespeare's characters, focusing on Sir Andrew, Malvolio, Emilia, and Cleopatra. It highlights how Shakespeare's writing can shift audience perceptions and elevate seemingly ordinary characters to quasi-mythological status, particularly in the final acts of his plays. The analysis draws comparisons with Jane Austen's character development and praises the complexity and emotional intensity of these literary figures.
Life Is a Dream, a masterpiece by Pedro Calderón de la Barca
The article explores the themes and intellectual depth of Pedro Calderón de la Barca's play 'Life Is a Dream,' highlighting its exploration of fate versus free will, utilitarianism versus deontology, and the nature of reality. The play is praised for its striking imagery and philosophical depth, with comparisons to Shakespeare's works. The author reflects on the character of Segismundo and the play's allegorical nature, while also noting the recurring theme of jilted women in Spanish Golden Age literature. The analysis is based on Gwynne Edwards's translation, with a desire to experience the original Spanish text.
What will the future say about the arts of the 21st century?
The article reflects on the arts of the 20th and 21st centuries, highlighting the transformative impact of technology and AI on music, literature, cinema, and visual arts. It praises the 20th century for its rich cultural output across various art forms and regions, while expressing skepticism about contemporary art and cinema, particularly in the US. The author anticipates that future perspectives on 21st-century arts will recognize brilliance in global cinema but note a decline in theatre and visual arts. The potential influence of AI on the arts is acknowledged as a significant factor for the future.
Ms. Nguyen Thi Luyen: Working in Jordan and 10 Years in Thailand
Nguyen Thi Luyen, born in 1985 from Phu Tho, Vietnam, was among several Vietnamese women who went on strike for labor rights in Jordan in February 2008. After returning to Vietnam, she faced threats and was forced to seek asylum in Thailand to avoid oppression. Luyen settled in Canada on October 6, 2022, after a tumultuous decade in Thailand. The article recounts her story of being deceived into exploitative labor conditions in Jordan, her struggle for justice in Vietnam, and her eventual resettlement in Canada with the assistance of organizations like BPSOS, IOM, and VOICE.
The family of Mrs. Lê Thị Trang: 'Three generations without a homeland'
Mrs. Lê Thị Trang, a Vietnamese refugee in Thailand, passed away in February 2023 at the age of 85 after over 30 years in the country, leaving behind her mentally ill daughter Nguyễn Thị Na and grandson A Tỷ, both without citizenship. The family, undocumented in both Vietnam and Thailand, had been supported by the Fatima Church in Bangkok and various charities. Despite having a UNHCR asylum seeker certificate, Mrs. Trang's application was not successful. The family now faces an uncertain future, with calls for humanitarian intervention to prevent a continuation of their stateless situation.
Mr. Tran Thanh Man: 'A lifetime' stuck in Thailand
Tran Thanh Man, a former boat person born in 1970, remains trapped in Thailand without documentation or refugee status. After his family's assets were seized following the fall of Saigon, Man attempted to flee Vietnam multiple times, finally reaching Thailand in 1989. However, he was forcibly repatriated in 1996 and faced persecution upon return. Man and his wife fled to Cambodia and then to Thailand in 2000, where they have lived without legal status, struggling to make ends meet. Despite applying for asylum in 2019, Man's application was rejected due to lack of evidence. He lives in fear of being sent back to Vietnam and feels abandoned by the international community.
Are Activists Protecting Asians from Hate—or Protecting Their Narrative of White Supremacy from Criticism?
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