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Check FAQAbout Gregory
Gregory Gondwe is Malawian journalist based in Blantyre, Southern Region, Malawi. He is currently doing his final semester of his four-year-long Bachelors of Arts Degree in Journalism at the University of Malawi. He is a holder of a Diploma of Journalism and an Intermediate Certificate in Journalism. He also has other media related certificates in Reproductive Health- Nairobi, (June 15-18, 2005 National Press Foundation; Population Reference Bureau; EC Afrique); Reuters Certificate in Environmental Reporting (Johannesburg, November-December 2006); Certificate in Bird Flu Reporting (Kampala, February 2007) and World Bank Investigative Journalism Certificate (Lilongwe 2007), other numerous Media Related certificates. He is a multi-award winning journalist and at the moment who was once been the Bureau Chief/Chief Reporter for Times Media Group responsible for the Central Region of Malawi as well as Nationally respectively. Times Media Group comprise Times Television, Blantyre Newspapers Limited (which publishes, The Daily Times (Monday to Friday), Malawi News (Saturday), The Sunday Times), Times online, as well as a radio station. Previously he was the Regional Editor and Bureau Chief as well as Chief Reporter for Zodiak Broadcasting Station. His career span through newspaper reporting where he has produced quality news and feature stories for major publishing houses for the country's daily newspapers; The Nation Publications Limited and The BNL besides stringing for the country's public broadcaster, the Malawi Broadcasting Corporation. He has also corresponded for various international news outlets including CNN. He has over two decades of demonstrated achievement in print, online, television and radio journalism operations. As a blogger his works can be appreciated on www.gondwe-gregory.blogspot.com/ www.gregorygondwe.wordpress.com
Portfolio
Suffix & Faith show Boldness in tackling tribalism
The song 'Yobwata' by Suffix and Faith Mussa addresses the issue of tribalism in Malawi, highlighting how politicians have polarized the country along tribal lines. The track, inspired by Joyner Lucas's 'I Am Not Racist,' calls for Malawians to confront and discuss tribalism openly. Suffix shares his personal journey from tribal prejudice to promoting love and unity through Christianity, while Mussa emphasizes the negative impact of tribalism on future generations. Both artists believe in the power of music to transcend barriers and effect social change.
Namadingo – Soldier Mashup 2 was spoilt
Patience Namadingo's second mashup with Soldier Lucius Banda has not been well-received, with criticisms focusing on Namadingo's excessive commentary and deviation from the original tunes. While the first mashup was praised for its innovation and musical quality, the second is seen as lacking discipline and respect for the original tracks. Despite the negative feedback, the mashup productions remain valuable for music lovers. The article highlights the importance of maintaining the integrity of original songs when creating covers.
Where is Piksy’s Sendeza Genre?
Piksy, born Evans Zangazanga, and his friend Nicodemo introduced the Sendeza genre in 2008, gaining significant popularity. Despite doubts about his solo career, Piksy proved his critics wrong with his successful debut album 'Maso' and becoming Airtel's brand ambassador. After parting ways with Nde’feyo Entertainment in 2013, he formed the Langwani Movement Band, though it hasn't gained much traction. His latest single 'Chonchobe' critiques social media pretenses, reflecting his maturity and evolution as an artist. The article questions the fate of the Sendeza genre and Piksy's future direction.
DNA confuses with UKANADZIWA
The article reviews the latest track 'Ukanadziwa' by Malawian artist DNA, born Daniel Kaliwo, featuring Bathro. It highlights DNA's lyrical creativity and the thematic depth of the song, which portrays a woman's dilemma in rejecting a man's love proposal due to his immaturity while simultaneously not wanting him to date others. The review appreciates DNA's ability to create a thought-provoking and artistically rich piece, comparing it to an abstract painting open to interpretation.
Bald head Jesus against Faith Mussa
Faith Mussa updated his profile picture to reveal a new dreadlocked hairstyle, sparking mixed reactions from his fans. Some criticized the look from a spiritual perspective, while others defended it. The debate drew parallels to Bunny Wailer's song 'Baldhead Jesus,' which challenges the notion that a Gospel musician must adhere to certain physical appearances. Faith Mussa expressed that he wanted a change and enjoyed the discussions his new look provoked.
Gospel or no Gospel for Namadingo
Patience Namadingo, a singer and musician, clarified on his Facebook page that he is not a gospel musician, expressing his desire to sing about various topics such as love, education, empowerment, wealth creation, and good morals. The author, Gregory Gondwe, supports Namadingo's stance, criticizing the societal pressure that labels artists and restricts their creative expression. Gondwe questions the distinction between gospel and secular musicians, citing examples of other artists who have faced similar identity challenges within Malawi's music industry.
Covid-19 could do worse with Gigs
The article discusses the impact of Covid-19 on the music industry in Malawi, highlighting the decision by musicians to resume live shows despite government restrictions. It criticizes the government's handling of the pandemic, particularly the lack of support for musicians and the political maneuvering by various ministers. The author suggests that the government should have provided resources to help musicians produce content that could aid in the fight against Covid-19.
Govt. better avail resources for COVID-19 Music
Dorothy Shonga has funded a musical project to produce a song against COVID-19, pooling together several local artists. The article criticizes the Malawian government's handling of the pandemic, accusing officials of political maneuvering and neglecting effective public health measures. It highlights the importance of music in disseminating COVID-19 messages and calls for government support for such initiatives. The article also mentions other artists and organizations like Phyzix and Unicef who have independently produced COVID-19 related music.
Covid-19 brings mixed fortunes for musicians
The Covid-19 pandemic has had varied impacts on musicians, with traditional revenue streams from live performances drying up for artists like The Black Missionaries and Lucius Banda. However, some artists, such as Elli Njuchi and Phyzix, have successfully adapted by leveraging digital platforms for sales and live streaming. The situation highlights the need for musicians to diversify their income sources and embrace digital avenues to connect with fans and sustain their careers.
Cybercrime piles on pressure as Malawi battles COVID
The Malawi Communications Regulatory Authority (MACRA) has raised concerns about the increase in COVID-19-themed phishing attacks targeting online users. The Malawi Computer Emergency Response Team (MwCERT) highlighted the rapid spread of fake news and unauthorized sharing of personal details of COVID-19 victims. MACRA advises users to avoid clicking on unsolicited links, use trusted sources for information, and refrain from sharing unverified details or personal information. Users are also cautioned against online advertisements selling hygienic products and are encouraged to report cyber attacks to MwCERT.
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