Dileep Patnaik, a third-generation skilled artist, is among the few who can create the diverse masks essential for a single Chhau performance. These masks, depicting various emotions, are integral to the Chhau dance form in Jharkhand. The article highlights the cultural significance of these masks and the expertise required to craft them, underscoring Patnaik's unique contribution to this traditional art form.

Dilip Padnayak, a third-generation artisan, is among the few craftsmen creating masks essential for the Chhau dance performances in Jharkhand. These masks, reflecting various emotions, are integral to the region's dance tradition. The article highlights the cultural importance of these masks and the artisans behind them, with contributions from Ashwini Kumar Shukla, a freelance journalist, and Rajasangeethan, a Chennai-based writer.

Dilip Patnaik, a renowned mask maker from Saraikela, Jharkhand, is dedicated to preserving the traditional art of Saraikela Chhau masks, which are integral to the Chhau dance form. Despite the global appreciation for Chhau, the number of artisans creating these iconic masks is dwindling. Dilip, who learned the craft from his father, continues to make masks and supply them to various dance centers, while also earning a living through sculpture making. The masks, which capture a range of emotions, are essential for the dance performances that depict stories from Indian epics and local folklore. Despite the challenges, Dilip remains committed to his heritage, driven by both passion and financial necessity.

The article highlights the significance of masks in the traditional Chhau dance of Jharkhand, focusing on the craftsmanship of Dillip Pattnayak, a third-generation artisan. It underscores the cultural heritage of the region and the role of organizations like PARI Desk and OdishaLIVE in promoting and preserving this art form.

Dileep Patnaik, a third-generation artist, is among the few skilled in creating numerous masks required for a single Chhau performance. The article highlights the cultural significance of these masks in Saraikela Chhau, a traditional dance form from Jharkhand. Ashwini Kumar Shukla, a freelance journalist, provides insights into the art form, supported by the PARI Desk, which manages the publication of diverse content across India.

Dilip Patnaik, a third-generation artisan, is among the few artists capable of crafting essential masks for a single Chhau performance, highlighting the integral role of masks in Jharkhand's traditional dance. The article underscores the cultural significance of these masks, which express various emotions and are a vital part of the dance form. Ashwini Kumar Shukla, a freelance journalist, reports on this cultural heritage, with translation by Nirmal Kumar Sahu, emphasizing the craftsmanship and tradition behind Saraikela Chhau.

The article highlights the cultural significance of masks in the traditional dance form of Chhau from Jharkhand, focusing on the craftsmanship of third-generation artisan Dilip Pattnayak. It underscores the integral role these expressive masks play in the dance, while also noting the dwindling number of artisans skilled in this craft. The narrative is supported by insights from Ashwini Kumar Shukla, a freelance journalist, and translated by Dyuti Mukherjee.

Dilip Patnaik, a third-generation artist, is among the few who can create multiple masks essential for the Chhau dance performances in Jharkhand. These masks, expressing various emotions, are integral to the Chhau dance tradition. The article highlights the cultural significance of these masks and the role of artists like Patnaik in preserving this heritage. Ashwini Kumar Shukla, a freelance journalist, reports on this cultural aspect, supported by the PARI Desk, which manages editorial work across India.

Dilip Patnaik, a third-generation craftsman, is among the few artists who create masks used in Chhau performances, an integral part of this dance form from Jharkhand. The article highlights the cultural significance of these masks, which depict various emotions, and underscores the role of the PARI Desk in supporting and managing the publication of such cultural narratives. Ashwini Kumar Shukla, a freelance journalist, contributes to this exploration of traditional arts.

Dilip Patnaik, a third-generation artist, is among the few remaining craftsmen creating masks for the Chhau dance, an integral part of Jharkhand's cultural heritage. The article highlights the significance of these masks in expressing various emotions within the dance form, underscoring the cultural richness and artistic dedication involved in preserving this traditional art.